Emiddio Vasquez

When the ear tells the eye where to look, 2023 nuum FM :MF muun, 2022

HARDCORE CONTINUUM, 2021
Ten Working Hypotheses, ongoing

LACK FINE POSE, 2019

An Hour Away, 2017

Collaborations
LLC, ongoing
S.R.S. (Sick Room Syndrome), ongoing

Viva Vida Frugal, 2021
Sediment Versions (I-IX), 2020

Performance

past lives ~ 2013-2023
G.A.S. Redux, 2019
as free, 2019
Money Riddles, 2018
Islands, 2018 - ongoing
Oswaldo III, 2016-ongoing
Univocal:Univocal:Univocal, 2016

Writing

Subharmonics (Oi, Oii, Oiii), short story, 2022

Kobo Abe Redux, short story, 2019
Play ‘Em, short story, 2019

Mm, essay, 2016
How to know a space? essay, 2016

Academic writing

Selected Discography

Talks, Workshops, Curation

dj, radio & mixes

Moneda

contact

Univocal:Univocal:Univocal, 2016

35m tape loop, reel to reel, Leipzig single-voice synth, mouthed hydrophone, rocks

Sound performance in response to Peter Eramian’s exhibition Here’s to my Sweet Satan at Volks, Nicosia.

Even if that which is, is in fact univocal, what is said in one voice requires at least one more to record it and at least one more to recall it. Univocal:Univocal:Univocal. Rocks, layered on tape, layered with a monosynth and layered with a single voice that repeats a mantra.